Russell Leong
Russell Charles Leong (born September 7, 1950) is an academic editor, a professor, a writer, and Chen Taichiquan instructor. He is currently an adjunct professor English and Asian-American studies at the University of California at Los Angeles.[1] Leong is the also the editor and project coordinator for the U.S.-China media brief.[2]
Origin, Education, Influences
Leong was born Chinatown, San Francisco in 1950. Leong attended local Chinese and American schools where his English teachers and family encouraged him to write. In 1972, He got his B.A. from SFSU where he took one of the first Asian/American writing classes from Jeffrey Chan. linking art with social and political activism for Asian-Americans, Leong participated in the Kearny Street Workshop. From 1973 to 1974, Leong studied at the National Taiwan University before earning an MFA from the University of California, Los Angeles in 1990.[3]
Ideology and Religious Views
Leong has a "life is war" ideology representing his dislike towards the academic community. He would like to see himself more as an activist than an academic. Leong's religious views relate most strongly to Buddhist philosophy. Buddhism applies to many aspects of his life including relationships and writing. He agrees with the accepting nature of Buddhism and finds it a strong, but not oppressive set of values to incorporate in daily life.[4]
Full Oeuvre
Selected Works
Phoenix Eyes and Other Stories by Russell C. Leong
"Fung Yen" Phoenix Eyes in Chinese translation: Taipei, Taiwan,
The Country of Dreams and Dust
My Chinatown A to Z
Fiction, Memoir and Poetry
- "Enter the Year of the Dragon"
- "Memories of Stone Places"
- "Fish don't wear no hats"
- "Unfolding Flowers, Matchless Flames,"
- "In the Country of Dreams and Dust,"
Video Documentaries on Writers
- NVM Gonzalez: A Story Yet to be Told, 1998, 30 minute video documentary on national writer of the Philippines, premier, David Henry Hwang Theatre, L.A. December 9, 1998
- Why is Preparing Fish a Political Act? Poetry of Janice Mirikitani, 1990, director and editor. Selected for the National Asian Pacific American Asian Cine Vision Video Festival, New York City aired on Manhattan Cable, 1991.
- Morning Begins Here, video documentary on San Francisco Chinatown, screened at the 1985 RIFE International Film and Video Festival, Czechoslovakia. Aired on Channel 18 on Chinese television, Los Angeles, 1986.
- "Chinese Characters in the Diaspora: Russell Charles Leong," by Stella Dong, in South China Morning Post, May 30, 2004 (Hong Kong)
- "Writing the Chinese and Southeast Asian Diasporas in Russell Leong's Phoenix Eyes," by Walter S.H. Lim, in Asian Diaspora: Cultures, Identities, Representations, edited by Robbie Goh and Shawn Wong (Hong Kong University Press, 2004)
- "Art, Spirituality, and the Ethic of Care: Alternative Masculinities in Chinese American Literature," by King-kok Cheung, in Masculinity Studies, Feminist Theory, New Directions, edtied by Judith Kegan Gardiner (Columbia University Press, New York, 2002)
- "Acts of Reclamation" by Sue Russell in the Kenyon Review ( winter 1995, volume XVII, no. 1)
- "L.A. and Other Fictions," by Nina J. Easton, Los Angeles Times Magazine (September 5, 1993.)
- "Walls and Bridges," by Steven A. Chin, San Francisco Examiner Image Magazine (November 14, 1993). Author profile and poem.
- "Fresh Harvest: Multicultural Poetry from a Nation of Immigrants," by Sesshu Foster, in Northwest Review, 1994.
- Biography and writers statement in Contemporary Authors.
- Author Interview in Words Matter: Conversations with 20 Asian American Writers, edited by King-kok Cheung (University of Hawaii Press, Spring 2000).
- Interview and article in Pots Magazine, Taipei, Taiwan, December 7. 2001.
References
- ^ Guiyou Huang, "Asian American Short Story Writers: An A-to-Z Guide" Greenwood Press, June 30, 2003
- ^ aasc.ucla.edu
- ^ Guiyou Huang, "Asian American Short Story Writers: An A-to-Z Guide" Greenwood Press, June 30, 2003
- ^ Cheung, King-Kok. "Words Matter: Conversations with Asian American Writers." University of Hawai'i Press. USA. 2000.
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